Frank Byrne
Host, From the ArchivesFrank Byrne has spent his life in music administration, first as the senior administrator of “The President’s Own” United States Marine Band in Washington, DC, and later as Executive Director of the Kansas City Symphony. In addition to his administrative work, Byrne was also a professional tuba player and student of legendary Chicago Symphony tubist Arnold Jacobs. He has lived the music business on stage and in the office, and has retained his passion for great music and the people who make it.
His passion is fueled by intense curiosity and a desire to understand what makes some performances extraordinary. As a picture is worth a thousand words, some special recordings convey qualities that go beyond words, with their own power and compelling message. Finding and sharing those special performances remains a lifelong hobby and obsession. He also believes that Classical KC provides a wonderful opportunity to share great music with an entirely new audience and hopes to help make that a reality.
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We have an all-American program for Independence Day including music by Roy Harris, Katherine Ward and Samuel Bates. Plus, no celebration would be complete without marches by John Philip Sousa.
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Kurt Weill is best remembered for his score to Bertolt Brecht’s “Threepenny Opera” which is featured this week, along with his remarkable Symphony No. 2. We’ll hear two sides of this incredibly creative and gifted composer.
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Giuseppe Verdi is one of the greatest opera composers of all time. But urged on by Parisian audiences, he also composed incredible ballet music to include in some of his operas. We’ll hear music from three of his best ballet scores.
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Many compositions originally composed for piano have been transformed into works for full orchestra. We’ll hear two splendid examples, both by Russian composers, including an unexpected setting of Mussorgsky’s “Pictures at an Exhibition.”
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String quartets have been an integral part of the classical repertoire for centuries and were a staple of home music making. Listen to two late-19th century quartets that build on that tradition and incorporate new, original ideas with impressive results.
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Music has always been able to transport us to another place. In the 19th and early 20th century when travel was difficult, people became fascinated with exotic locations via literature, and composers were inspired to write about them and give their musical impressions of these faraway lands.
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For centuries composers have been inspired by birds – their songs and their grace. This week we have masterful examples by Haydn, Saint-Saëns, Respighi, and Rossini, each of whom represent birds in their own unique way.
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The great operas have magnificent orchestral scores that help drive the action on stage. In this episode, enjoy orchestral arrangements of some of the most dramatic moments from operas by Modest Mussorgsky, Richard Wagner, and Giacomo Puccini.
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Frédéric Chopin wanted to “express the heart and soul of man” through his music. In celebration of his March 1st birthday, enjoy a special program of some of Chopin’s most extraordinary creations.
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French conductor Paul Paray was music director of the Detroit Symphony Orchestra for ten seasons and turned it into one of the top orchestras in the United States. We’ll hear an historic live concert from 1968, one with special meaning to him and his musicians.